She moved to Boston in 1989 with her husband, Michael, to study voice, which is where she met Gayla. After moving back to her native Minnesota, and right around the same time they began collaborating on Mary, Jean felt she was being called to the Episcopal priesthood. She and Michael moved to New York City (ironically, she moved to Boston originally because she didn’t think she could make the move from Minnesota to New York!) to attend General Seminary and Jean is now rector at Grace Episcopal Church in Huron, SD.
Working with Gayla on Mary has been both a creatively and a spiritually uplifting experience and Jean is very proud of the result.
CONCH REPUBLIC (The Musical!), book by Monnie King, was commissioned by the Key West Fringe Theater, Key West, FL, in 2013, and has been produced almost annually since.
MARY — A MUSICAL is Gayla's first full-length musical and was a finalist in the 2010 Eugene O'Neill NMTC summer workshop competition. She and Jean Mornard, who met in Boston while singing in the same church choir, began their collaboration in 2006 on a half-hour light rail ride in Atlanta, where they were both attending separate events. After two years of exciting, rewarding work together as co-librettists, Jean turned over the official writing reins to Gayla in order to pursue a career in ministry as an Episcopal priest.
Gayla is also an actress; favorite roles include Florence Foster Jenkins in SOUVENIR, Muriel in DIRTY ROTTEN SCOUNDRELS, and Rona in SPELLING BEE (Waterfront Playhouse, Key West), Woman #3 in DREAMHOUSE and Violet in SENIOR MOMENT (NYC), Peggy in THE TAFFETAS (Boston), the Fiddle Player in GRAPES OF WRATH (Denver), and multiple roles in FORBIDDEN BROADWAY (Red Barn Theater, Key West).
Gayla sang professionally in many ensembles in NYC, including Grammy-nominated a cappella sextet The Western Wind Vocal Ensemble, and has appeared in numerous solo soprano appearances in Manhattan and Europe. She has played violin professionally for 30 years, has served as organist and choir director for various churches of many denominations, and holds a Bachelor of Music Education degree from the University of Denver's Lamont School of Music.
GAYLA D. MORGAN (Composer/Lyricist/Librettist) began writing songs in the 1980s, when her love life wasn't working out so well. It was in the early 1990s that she first flirted with the idea of musical theater writing by parlaying a few of those songs into a one-woman show, REFLECTIONS ON BEING SINGLE, at the Denver Center Performing Arts Complex. In 2001, having moved to NYC, she was accepted into the BMI Lehman Engel Musical Theater Workshop, where she discovered that she could also write songs for characters—other than herself!—in a musical.
"Hoping Mary" by Greg Pittman
JEAN MORNARD (Co-Librettist) has been a singer all of her life and around theater all of her adult life, both on and off stage, so it made sense that she would finally collaborate on a musical. Jean received her bachelor’s degree in theater from the University of Minnesota, with a concentration in stage management and technical theater. At the same time she was playing in a bar band which caused her to start voice lessons to preserve her voice. Her savvy teacher started introducing light, and then heavier, classical music to her repertoire and by the time they got to Puccini, Jean was hooked on singing opera. She has sung lead roles in Tosca, The Merry Wives of Windsor, and The Impresario; sang the world premier of Crazy Rabbit Songs by Mark Warhol; and performed the soprano solo in Verdi’s Requiem at Boston’s Symphony Hall.
Mary - A Musical
Music and Lyrics by Gayla D. Morgan
Book by Gayla D. Morgan and Jean Mornard